Friday, February 1, 2008

No, I will not apologize for "Guts"

The other day, I assigned “Guts” by Chuck Palahniuk for my English 215 Short Story class. My reasons for assigning the story are wide and varied, but let it suffice to say that the story is not wholesome, not clean, is quite provocative, and should not be read by anyone with a weak stomach or delicate sensibilities or wishing access to 8th sphere of Heaven. Here is a link.

www.seizureandy.com/stuff/guts.html

I have always been hesitant about teaching 215 because I always asked myself, “Why me?” Because there are a plethora of other creative writers in the GA department who I feel are better writers and deserve a chance at a job I feel woefully unprepared for….So I have insecurities about the class. And that will be all personal Kevin stuff you get.

But moving on. I coupled the story with a noir piece I found and appreciated. Together, I used the two pieces as examples of vivid descriptions and details in use to convey imagery and tone. I was apprehensive about the piece because it had been several months since I had read the story. On a refresher read before class, I realized I had forgotten exactly how extreme the story is and a sudden and incomprehensible fear of undeniably offending a student swept over me. I was preparing my excuse for it to Dr. Blackmon before the class had even begun. There was even one student I expected to raise a qualm over the reading.

When we got to “Guts” I asked the class how many of them felt the story was mere exploitation and how many felt it was not exploitation. 11 for exploitation and 6 for not exploitation. Kind of one sided. We discussed the story and heard reasoning from both sides. I told them my feelings on it. I let them know that I originally was shocked by it and while not offended, I did feel it went over the top for pure exploitation and shock value. I had since changed my opinion and appreciated the story as an excellent piece of craft and post-modern work. Then, the student I expected to raise a qualm asked the question, “If it shocked and offended you when you read it, why did you assign it?” Ah, now the story begins.

I didn’t know what to answer. I truly did feel it was an excellent piece of writing and while I don’t feel everyone needs to read it, it certainly deserves respect. But even then, I may have forgotten how extreme it was, but I still knew it dealt with topics which may push someone a little too far. I told the class I wanted to see how they reacted to the story and its gruesomeness does not negate its status as “quality”. But even after the class, I kept wondering if I assigned it for the right reasons. I talked with some 203 instructors and they admitted to assigning a few poems so the students could be shocked. In a way, that certainly was one reason. I wanted to expand their view beyond this realm of modernist writing based in Hemingway, Joyce, and admitted dullness. I wanted to show them the extreme. Give them a little shock and awe. But how appropriate is it to assign something which you know has the strong possibility of going against your students moral foundation?...well….let’s just say aggressively challenges and possibly offending them versus going against moral foundations. I feel that challenging the students is the role of all teachers in any sort, but the possibility of offending them?..........

It is happening in one of my other classes, one I am taking; the professor deliberately stresses certain aspects which he knows will make us uncomfortable and challenges us. I am not entirely sure if I have resolved all the conflicts this brought up. I would still assign again, I would tell the students that it has a strong possibility of being offensive. But if you read my last post, this could really just be the first step to being the instructor I hate but respect….a much more timid version though…..ok…..maybe that is a little much.

4 comments:

The Typist said...

Good for you for not apologizing for "Guts," I say. While it is one of the most disturbing stories I've ever read, and it has several excruciatingly nightmarish images, I think it's also worthy of study. It also raises a really good point of finding the right amount of provocation in writing: how do we know that we've gone to far to make our audiences react to our writing? A very important question that this story could be paired with, I believe. It also seems like a good point to discuss obscenity and self-censorship, for obvious reasons.

As for your feeling hesitant about teaching 215, I'll say this: throughout the different workshops I had as an undergraduate, I always looked forward to your critiques because you were so in-depth and focused in your criticisms, and it was really obvious that you were an excellent critical reader and writer. You're a gifted critic and writer, and both aspects are important to being a good creative writing teacher.

Ben Pfeiffer said...

In fiction, everything should serve the story. If profanity, violence, sex, or something else (like a minor character) doesn't serve the story, it should be eliminated. Period. The reason we are annoyed with student writing modeled on Deadwood and Chuck Palahnuik isn't because we have weak stomachs. It's because we recognize the writing as immature.

Everything should serve the story.

As to the ongoing discussion, maybe we should have Chuck's Haunted be the English 110 text, because it includes Guts as one of the opening chapters.

imcriswell said...

You're a ballsy guy for assigning guts. Anybody vomit or pass out in your class? I wouldn't shy away from a lot of Palahniuk. His chapters in novels can be stand-alone... the first chapter in Choke or the chapter where he eats the lobster come to mind immediately as both well-written and intriguing. I wouldn't shy away from anything with profanity in it, but adult situations and graphic content without meaning other than to sicken seems a bit... sophomeric.

Of course, the need for all writing, fiction or not, is to get a reaction. Like it or not, Palahniuk was looking to sicken the audience with "Guts," and he did, in fact, do just that. I'd be interested to hear what reactions, beyond described, you got from all of your students. Obviously they would be familiar with "Fight Club," but Chuck has a full canon of books which are expertly written.

Kara said...

I guess I have a few questions for you.

What was the purpose of the shock you were going for? What were you trying to accomplish?

Was there not another piece of literature that you felt would provide an excellent example of how to effectively use tone and imagery?

I guess I would liken the choice of "Guts" to illustrate imagery and tone in writing to a film survey instructor choosing from all of the artfully made films available and deciding on an "artful" piece of hard core porn to illustrate lighting and camera angles (if such a thing as "artful hard-core porn exists?). Though such a choice may illustrate the concepts and shock the students, it seems unnecessary and inappropriate when there are countless other good examples of the effects of lighting and camera angles in film.

If your class' aim were to review postmodern lit, gender studies, Palahniuk’s writing style, or some other "category" of lit/writing that "Guts" might fit into, the choice would make more sense to me. Or perhaps even if it were provided in the larger context of Chuck's Haunted(which I have not read), in which a purpose for this piece to the larger context of the story might present itself, the choice could seem more appropriate to me.

I understand the implications of academic freedom. I am not saying that you "have no right" to use such a piece. Neither am I saying that I doubt your talent as a teacher. I guess I'm just suggesting that "Guts" seems an unnecessary and inappropriate choice for an ENG 215 classroom.